![]() ![]() ![]() However, you can dial in more or less grain to your images accordingly.Ĭhris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. I also tend to like only working with film based ISOs. Obviously, you’ll need to accurately do the same thing in Capture One with the Capture One Film Styles Extended offerings. ![]() Some are more chromogenic and others are incredibly versatile. But a lot of photographers still tend to overexpose any way. Fujifilm Pro400H though I’ve gotten great results at ISO 400. For example with Kodak Portra 400, the best way to shoot it is to shoot the film at ISO 200 then develop for 320. Color Negative film: Overexpose it anywhere to half a stop or a stop.So to start, you’re going to need to manually white balance your photo to that. Capture One (the software) rates it somewhere in the 4,000 kelvin range but film itself was balanced to 5500 Kelvin. Capture One doesn’t rate the Daylight white balance at what film did.I’m going to quit bashing that community but my point here is most photographers don’t understand how it works. It threw off the entire group they fell in love with it and thought it really looked like film. One time, just to see if I could throw them off, I created my own Ilford film preset that looked like FP4. If you’re part of it and you actually know what you’re talking about when it comes to film, you’ll understand it. I know this because I used to be part of one of the must frustrating Facebook groups called LooksLikeFilm. Unfortunately, that’s the majority of photographers these days as most of you came up during the digital era or took it up within the past few years. Color styles: Fuji Provia 100F (3 versions: Sk, Summer, Winter), Fuji Astia 100F (3 versions: Sk, Summer, Winter), Kodak Gold 100 (5 versions: v1, v2 B, Sk, Summer, Winter), Kodak Gold 200 (5 versions: v1, v2 B, Sk, Summer, Winter), Kodak Ektar 100 (4 versions: v1, v2 B, Summer, Winter), Agfa Vista 100 (4 versions: v1, v2 B, Sk, Gold), Agfa Vista 400 (4 versions: v1, Sk, Gold, T-balanced), Agfa Vista 800 (3 versions: v1, v2 B Exp, T-balanced), Kodak Portra 400 UC (v2, v3 B), Kodak Royal Gold 400 (5 versions: v1, v2 B Exp, Summer, Winter, B T-balanced), Fuji Fortia SP (6 versions: v3, v4, v5 B Exp, Sk, Summer, Winter), Fuji Velvia 100F v3 B, Fuji Velvia 100 (3 versions: v3 B Exp, Summer, Winter), Kodak Max 800 (6 versions: v1, v2 B, Summer, Winter, T-balanced, v6 N), Kodak UltraMax 400 (6 versions: v1, v2, Summer, Winter, T-balanced, v6 G), Kodak UltraMax 800 (4 versions: v1, v2 B, T-balanced, v4 N), X-Pro Kodak Royal Gold 400, X-Pro Kodak E100S, X-Pro Agfa Optima, X-Pro Agfa Optima v2 Soft, X-Pro EPP, X-Pro Fuji Sensia.īlack&White styles: Agfa APX 400 v2, Agfa Scala 200 v3, Agfa APX 100 v3, Fuji Neopan 1600 (v4 B, v5), Fuji FP-3000B v2, Ilford Delta 100 v3, Ilford Delta Professional 400 v2, Ilford Delta 3200 (v4, v5), Ilford HP5 Plus 400 (v4 B, v5), Ilford Pan F Plus 50 v2, Ilford XP 2 Super 400 v2, Ilford FP4 Plus 125 v2, Kodak BW 400CN Pro (v2, v3), Kodak T-MAX 100 v3, Kodak T-MAX 400 v2, Kodak T-MAX 3200 (v4, v5), Kodak TRI-X 400 (v4, v5), Kodak Plus-X 125PX v3, Kodak Panatomic-X 32 v3, Polaroid 665 v2, Rollei Retro-400S, PX 100 Silver Shade UV+.Īs you go about editing your photos, the best way to get the most out of the images may be difficult for photographers who don’t truly understand the film.
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